Southwest Blackwork

Artist & Tattooer Korrin Williams


“I’m an interpreter, not of language, but of the human mind. My canvas is the Human body. I do tattoos”

Biography

Korrin grew up in a small village, located in the Jemez Mountains of New Mexico. While the beautiful high-desert mountains gave Korrin a true appreciation for nature, activities were somewhat limited. Creating art became an outlet as Korrin’s dad, being a professional sculptor, offered a plethora of materials, always encouraging any creative pursuits his son found an interest in. Drawing, carving, painting all became daily activities for Korrin at a very young age. Besides winning many awards in Junior High and High school art shows, Korrin had his first gallery show at the Jemez Fine Arts Gallery when he was 14. This display, showcased the influence of street art that Korrin adopted from his travels to Europe and the time spent in Albuquerque. Later, Korrin had another successful one-man show at a cafe in Durango Colorado when he was around 19, selling all but 2 of the paintings decorating the walls. Around this time Korrin began to drift away from the mixed media and any other mainstream works of art, leaning more towards the human body as a canvas of choice. By the end of 2021, he had began a life of self taught tattooing diving deep into all aspects of body modification art. By 2022 Korrin was renting a studio space and apprenticing under Doug Patrum owner of Durango Tattoo Co.

Tattoo Documentation of Nagini

Video presented in the 2023 Graduating Senior Art & Design Show at Fort Lewis College.

19 Degrees of Being

a statment.

sand texture


It is difficult to put walls in place surrounding the ‘Origin Point’ of my work. It is a seemingly shapeshifting expression of the human experience. When I say, “the human experience,” I refer to the condition of existence we collectively share. Our faculty is feeling, sensation, and sensibility. The appreciation, atmosphere, aura, awareness, consciousness, impression, intuition, perception, premonition, presentiment, and sentiment that is always present yet ever-changing. To explain my attempts to harness anything reminiscent of this, I must also explain my choice of mediums.

Over the years I’ve explored various art forms, from painting and sculpting to drawing and more. Recently, I became tangled up with the human body itself, and once I started I could never look back. When living skin becomes a canvas it is rare for one to feel the need to search for canvases elsewhere. There is a running joke that when one becomes a tattoo artist one becomes a therapist, a counselor, and sometimes a doctor of the soul. In my profession, I have repeatedly begun to see myself as something close to the ferryman docked at the River Styx. I stand as an interpreter or a guide waiting to be in service to those who come knocking at the door. I work with people from all walks of life, and each person has a unique experience to convey through various personalized works of art.

When commissioned to take on a client, my work always begins with a conversation. Often they will tell a story or point to a time in their life that was so significant it gave them something to remember; something to hold on to. It can be a picture, a symbol, a mantra; other times a burn or a scar to be hidden. It can be as simple as a light-hearted quote or something so deep to honor their darkness. My job is to listen. My job is to interpret. I decipher what part of their experience is the most important and capture its essence. There is always an answer to be found in this process. An answer that drove them to manipulate their body permanently and make this commitment.

From here, I take the intrapersonal to the interpersonal. I capture a moment and give them an experience that will be with them until they die. For some, this is too much pressure to bear. For others, its significance is completely neglected and treated like a hustle. Even so, there are the few, the shamans and the masters, the creators and the spirit dancers. Those who walk the line between painful torture and masochistic subliminal bliss, all the while with humility and respect for those who crave their help. Blessed am I, for these are the teachings of my mentors. Blessed I am, for this is the path I choose to follow.

A Tattoo called Nagini

These are the final photographs presented in the 2023 Graduating Senior Art & Design Show at Fort Lewis College.

19 Degrees of Being

2020 Asthetic prints

beauty in its rawest form